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22 October 2008

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Kelly Fineman

Some folks see Fanny as the prototype of the Victorian conception of "the Angel in the House", keeper of the moral center. But at the recent AGM of the Jane Austen Society of North America, I heard Emily Auerbach (from Wisconsin) argue quite convincingly in favor of Fanny as a Romantic heroine, in keeping with the likes of Wordsworth, because Fanny is most elegant when in nature, and when discussing nature, and she is guided by her own moral compass (drawn from nature, really, since clearly there's nobody around her to be a guide, apart from Edmund, of course, and he has his foibles).

Also? I've heard theories that Austen had characters depicting the seven deadly sins. Mrs. Norris = greed, Lady Bertram = sloth. Happy reading pegging the other five!

I believe I'll pull out my MP and re-read it, too, to keep you company.

Leila

That's really cool about the seven deadly sins -- I'll watch out for 'em. And so is the Romantic/Victorian argument. As this is my first time through, I'm mostly reading for the story, but I know that both of those things will be wandering around my brain as I read...

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