Titles I've written about:
The Good Braider (2012):
It's got a fantastic sense of place and Farish conveys long periods of time spent waiting without ever slowing the pace of the story, both of which are quite impressive considering how few words she uses. The contrast between cultures is striking, and it's especially nice that the book portrays Viola attempting to understand and fit into American (and even more specifically, Maine) culture, but never uses the somewhat-tired "I renounce my former culture/this new culture is so horrible and wrong; oh wait, now I'm proud to be a part of both cultures" storyline. She's drawn towards both worlds, but she just... keeps on keeping on, and eventually finds her place in both.