Emily’s Dress and Other Missing Things, by Kathryn Burak
The Edge of Nowhere, by Elizabeth George:
I absolutely guarantee that some of you will want to throw this book across the room. For one, some readers are bound to be hugely disappointed by the prosaic solution to the mystery. Much more problematic, however, is the portrayal of the one black character—an adoptee from Uganda; he is constantly exoticized and, in more ways than one, comes off as very much “other.”
Crusher, by Niall Leonard:
There are no firsts, and there is no coming of age. When the book begins, Finn has already joined the adult world. He’s already dealt with major loss (when his mother abandoned him), is way past experimenting with mind-altering substances and he lost his virginity years ago. As he’s no longer in school, he’s working full-time—pretty much supporting the household. When his father dies, there isn’t a big reckoning about responsibility, finances or authority. His dealings with adults are all on adult terms; while he doesn’t get a whole lot of respect from them, that’s less about his age and more about his demeanor. In a nutshell, Crusher isn’t a crime story that also portrays an aspect of the teen experience. It’s a crime story, period.
Amelia Anne is Dead and Gone, by Kat Rosenfield:
The specialness isn’t just in Rosenfield’s description, turns of phrase or how she captures the slow, heavy feel of summer. It’s about how she makes every single action, interaction, sometimes even the briefest of moments...feel like a turning point. There’s a constant sense of dread, inevitability and change.
Code Name Verity, by Elizabeth Wein:
Trust me? Add this to your list. Don’t trust me? Add it to your list anyway. Fan of historical fiction? Espionage? World War II stories? Add it, add it, add it. Even if your tastes don’t usually tend in that direction, you need to pick it up anyway. It will make you dissolve into a puddle, and then, once you’ve recovered, you’ll immediately read it all over again. That’s what I did.
I've read four of the five YA titles. (And I still don't think that Crusher is actually YA, but whatevs.)