These projects and their teams are all attempting to address the need for greater diversity in the fiction available to young people in particular—for teens of all kinds to be able to ‘see themselves’ in stories—and as the main character, not just the best friend or minor supporting character who assists the straight white able-bodied American protagonist along their journey.
Publications like Kaleidoscope and Inscription, then, are not only useful in producing new material for the teen readers out there, but also in helping to raise awareness in the publishing community of the needs of young readers.
...I wrote about Alyxandra Harvey's A Breath of Frost, which was a LITTLE bit confused and a LOT long, but overall, quite fun:
Over the course of that night, she finds out that A) magic is real, B) she’s a witch, C) she’s suspected of being a MURDEROUS witch by D) a mysterious Order that has it in for her, E) everything she knows about her mother is a lie, and F) Cormac Fairfax, the jerk of a guy who broke her heart months ago knows all about all of it.
CBS Films has picked up the rights and acquired an accompanying pitch by Patrick Melton and Marcus Dunstan, the duo wrote a slew of the Saw horror movies.
Melton and Dunstan will now write the script, which will use the horror folktale anthology as a jumping off point and incorporate some of the book's short stories, while concentrating on a group of kids who band together to save their town from living nightmares.
I would really, really like for it to be A) good and B) scary.
But... I can't say that I'm not extremely worried that it'll be a dud.
In one of MTV‘s most ambitious moves on the scripted side since Susanne Daniels became president, the network has given a script-to-series commitment to Shannara, a drama series based on Terry Brooks’ popular fantasy books. The project, from Sonar Entertainment and Farah Films, has Iron Man helmer Jon Favreau on board to direct and will be written by Smallville creators Al Gough and Miles Millar. The trio will executive produce with Brooks and Dan Farah (The Crow remake).
Who is your favourite character from the Harry Potter universe?
This is like trying to choose your favourite record, it changes all the time. I have a soft spot for Neville, particularly because of his awkwardness, but you have to admire Hermione, because she puts the hours in at the library, she's the cement really that holds it all together, well, it would be a different story without her. I want to know more about Severus, there's so much depth there. Visually, though, it has to be Hagrid; he's got a wonderful heart, clothed in an enormous, shabby body. Hagrid's hut is, for me, like an extension of his physique: it makes him a part of Hogwarts, but keeps him at a distance too.
Howard’s descriptions of Wonderland—Alyssa and Co. don’t actually spend much time there in this installment, but it makes its way into our world—play off Carroll in creative, often unexpected ways, and the result is lush and vivid and dark and dangerous and weirdly attractive. Alyssa’s growing affection for Wonderland and her ultimate acceptance of her birthright is a long, sometimes annoying journey, but the beauty she sees in it—even amid the occasionally macabre and sometimes downright horrifying—is undoubtedly there.
HAS ANYONE ELSE READ IT? Because I have some things I'D LIKE TO DISCUSS.
Universal Pictures has chosen a director for the studio’s adaptation of the Laini Taylor YA fantasy novel Daughter of Smoke & Bone. Heat Vision reports that commercials director Michael Gracey will take the helm of the project, which revolves around a 17-year-old art student whose father sends her all over the world collecting human teeth for a mysterious purpose. The young woman soon realizes that she’s part of an ancient struggle between angels and demons, and finds herself in a love affair with a warrior angel. Stuart Beattie (Collateral) initially penned the screenplay with subsequent rewrites by Taylor, and Joe Roth (Alice in Wonderland, Snow White and the Huntsman) will produce.
Get your e-mitts on every new Strange Chemistry ebook published between now and 12 months from now.
That's at least 22 ebooks for one, significantly discounted, up-front price!
And if you live outside of Europe, you won't be charged the sales tax (VAT) that we have to charge here, making the cost of your subscription approximately $109 (depending on the exchange rate, currently around £1 = $1.62).
If we publish more than the indicated number of books between the start and end of your subscription, you will get the additional ebooks free of charge.